11 Books by Marge Piercy [6 Novels + A Short Story Collection + 4 Poetry Collection’s]
Requirements: ePUB Reader, 5 MB, 5 MB
Overview: Marge Piercy is the author of eighteen previous poetry collections, seventeen novels and a book of short stories, four nonfiction books, two memoirs and one play. Her work has been translated into nineteen languages, and she has won many honors, including the Golden Rose, the oldest poetry award in the country. She lives on Cape Cod with her husband, Ira Wood, the novelist, memoirist, community radio interviewer, and essayist. She has given more than five hundred readings and lectures in the United States and abroad.
Genre: Fiction > Classic, Contemporary, Short Fiction, Poetry
Set 1:
Three Women: Suzanne Blume has survived two marriages, financially supported two children through college and her teaching duties at a Boston university allow her just enough time to take on important legal cases and spend time with her closest friend. Life in her forties has also yielded some unexpected pleasures – she is enjoying her first sexual relationship in years. . . But her neat, buttoned-up life starts to unravel when her daughter Elena returns home, angry and unemployed. Can mother and daughter rebuild their fragmented relationship? And what of Suzanne’s own mother? Having devoted her life to men and politics with passion, fiercely independent Beverley is now coping with the effects of a stroke and is also forced to share Suzanne’s home and rely on the conventional daughter she has never had much time for . . .
The Cost of Lunch, Etc.: In this collection of short stories, bestselling author Marge Piercy brings us glimpses into the lives of everyday women moving through and making sense of their daily internal and external worlds. Keeping to the engaging, accessible language of Piercy’s novels, the collection spans decades of her writing along with a range of locations, ages, and emotional states of her protagonists. From the first-person account of hoarding and a girl’s narrative of sexual and spiritual discovery to the recounting of a past love affair, each story is a tangible, vivid snapshot in a varied and subtly curated gallery of work. Whether grappling with death, familial relationships, friendship, sex, illness, or religion, Piercy’s writing is as passionate, lucid, insightful, and thoughtfully alive as ever.
Braided Lives: Jill and Donna are cousins and lifelong best friends but could not be more different. Despite their contrasting characters, fiercely independent, dark, street-smart Jill and pretty, blond, alluring Donna are very close, attending college together in Ann Arbor and then moving to New York City after graduation. Ultimately veering onto different life paths, they both experience love, betrayal, friendship, pain, independence, and fear. Though their fates differ as widely as their personalities, both reflect the danger that sex poses for women during a time in which abortions are illegal: an affair could destroy a woman’s life, and a chance encounter or a night of love could be a matter of life and death. Spanning 20 years and teeming with vivid characters, this poignant novel tells the powerful, unsentimental story of two young women coming of age in a time of enormous social upheaval.
Made in Detroit: Poems: A treasure trove of new work from one of our most popular poets: poems that range from the Detroit of her childhood to her current life on Cape Cod, from deep appreciations of the natural world to elegies for lost friends and fellow poets.
In her trademark style combining the sublime with gritty reality, Marge Piercy describes the night she was born: "the sky burned red /over Detroit and sirens sharpened their knives. / The elms made tents of solace over grimy / streets and alley cats purred me to sleep." She writes in graphic, unflinching language about the poor, banished now by politicians, no longer "real people like corporations." There are elegies for her peer group of poets, gone now, whose work she cherishes but from whom she cannot help but want more. There are laments for the suicide of dolphins and for her beloved cats, as she remembers "exactly how I loved each." She continues to celebrate Jewish holidays in compellingly original ways, and sings the praises of her marriage and the small pleasures of life. A stunning collection in the best Piercy tradition.
Small Changes: Set against the early days of the modern feminist movement, SMALL CHANGES tells the story of sensual Miriam Berg, who trades her doctorate for marriage and security, but still hungers for a life of her ow,n and shy, frightened Beth who is running from the life Miriam seeks and into a new world of different ideas and a different kind of love…..
Set 2:
Dance the Eagle to Sleep: Originally published in 1970, readers follow the lives of four teenagers in a near-future society, as they rebel against the military draft and ‘the system’. From the disillusionment and alienation of the young at the centre of the revolt, to their attempt to build a visionary new society, the nationwide following they gain and their ultimate brutal repression, this is future fiction without the fantasy. This 40th anniversary edition features a new, reflective and unapologetic introduction by the author.
My Mother’s Body: My Mother’s Body, Marge Piercy’s tenth book of poetry, takes its title from one of her strongest and most moving poems, the climax of a powerful sequence of Poems to her mother. Rooted in an honest, harrowing, but ally ecstatic confrontation of the mother / daughter relationship in all its complexity and intimacy, it is at the same time an affirmation of continuity and identification.
"The Chuppah" comprises poems actually used in her wedding ceremony with Ira Wood. This section sings with powerfully female love poetry. There is also a sustained and direct use of her Jewish identity and faith in these poems, as there is in a number of other poems throughout the volume.
In all, My Mother’s Body is one of Piercy’s most powerful and balanced collections.
The Hunger Moon- New and Selected Poems, 1980-2010: This new gathering of Marge Piercy’s poems–funny, angry, in awe of life, compassionate–brings us the heart of her mature work, the first selected since Circles on the Water in 1982.
Here, poems chart the milestone events and fierce passions of the poet’s middle years, her Judaism, her deep connection with nature, her politics. There is the death of her mother, whom we meet as a young woman, "awkwardly lovely, her face / pure as a single trill perfectly / prolonged on a violin." She celebrates her new marriage not only for its romantic beginning, but for its quieter details: "love cherishes too the back pockets, / the pencil ends of childhood fears." In every poem we hear the current of her convictions, which she declares in language unmistakably and colorfully her own, as when she encourages her readers to go to the opera instead of the movies because "the heroine is fifty and weighs as much as a ’65 Chevy with fins."
The Moon is Always Female: Her seventh and most wide ranging collection. In the 1st of 2 sections, the poems move from the amusingly elegiac to the erotic, the classical to the funny. The 2nd section is a series of 15 poems for a calendar based on lunar rather than solar divisions
Vida: Originally published in 1979, this piece of revolutionary fiction is a bestselling author’s classic paean to the 1960s. At the center of the novel stands Vida Asch, who has lived underground for almost a decade. Back in the 1960s she was a political star of the exuberant antiwar movement–a red-haired beauty photographed for the pages of "Life" magazine–charismatic, passionate, and totally sure she would prevail. Now, a decade later, Vida is on the run, her star-quality replaced by stubborn courage. As counterpoint to the underground 1970s, Marge Piercy tells the extraordinary tale of the optimistic era, the thousands of people who were members of Students Against the War, and of the handful who formed a fierce group called the Little Red Wagon. Piercy’s characters make vivid and comprehensible the desperation, the courage, and the blind rage of a time when action could appear to some to be a more rational choice than the vote.
Woman on the Edge of Time: Connie Ramos, a woman in her mid-thirties, has been declared insane. But Connie is overwhelmingly sane, merely tuned to the future, and able to communicate with the year 2137. As her doctors persuade her to agree to an operation, Connie struggles to force herself to listen to the future and its lessons for today….
Piercy’s utopia elaborates on contemporary political and scientific experiments in horizontal living/organising and computer technology. No one bears children and male‑bodied people produce milk. Pronouns are non‑gendered and every child has three co-mothers until they turn 13 and pick their own name, off in the forest.
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