10 Books by Alex Miller
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Overview: Alexander McPhee Miller is an Australian novelist. Born in London, England, he migrated to Australia at the age of 16. After working and travelling he graduated from the University of Melbourne in English and History in 1965. He was co-founder of the Anthill Theatre and a founding member of the Melbourne Writers’ Theatre.Miller now lives in Victoria with his wife and two children.
Genre: Contemporary Fiction | Australia
Watching the Climbers On the Mountain (1988)
Anger, jealousy, madness and revenge – a powerful novel of relationships set on a remote far north Queensland cattle station. ‘His beauty and aloofness disturbed the equilibrium of the Rankin family…The stockman for a long time offered a resistance to the efforts of the members of the family to involve him in their lives. He moved about in their familiar world, observing it with unfamiliar eyes; and quietly, industriously he slowly rearranged it.’ Ward Rankin had not wanted to be tied to the station; he’d imagined a life of travel and experience but there was no-one else. When his mother died, it came to him – owner and manager, now in his fifties, a frustrated man. Ida, his young wife, sees a solution to her own discontent in her growing feelings for the young English stockman Robert Crofts, whose arrival on the station changes their lives forever. Set in the remote Central Highlands of Queensland against a backdrop of heat, torrential rain and the strange and lonely landscape, this is a novel of passion, suspense, reinvention and revenge, watched over by the solitary presence of Mt Mooloolong.
Lovesong (2010)
Seeking shelter in a Parisian cafe from a sudden rainstorm, John Patterner meets the exotic Sabiha and his carefully mapped life changes forever. Resonant of the bestselling Conditions of Faith, Alex Miller’s keenly awaited new novel tells the deeply moving story of their lives together, and of how each came undone by desire. Strangers did not, as a rule, find their way to Chez Dom, a small, rundown Tunisian cafe on Paris’ distant fringes. Run by the widow Houria and her young niece, Sabiha, the cafe offers a home away from home for the North African immigrant workers working at the great abattoirs of Vaugiraud, who, like them, had grown used to the smell of blood in the air. But when one day a lost Australian tourist, John Patterner, seeks shelter in the cafe from a sudden Parisian rainstorm, the quiet simplicities of their lives are changed forever. John is like no-one Sabiha has met before – his calm grey eyes promise her a future she was not yet even aware she wanted. Theirs becomes a contented but unlikely marriage – a marriage of two cultures lived in a third – and yet because they are essentially foreigners to each other, their love story sets in train an irrevocable course of tragic events. Years later, living a small, quiet life in suburban Melbourne, what happened at Vaugiraud seems like a distant, troubling dream to Sabiha and John, who confides the story behind their seemingly ordinary lives to Ken, an ageing, melancholy writer. It is a story about home and family, human frailties and passions, raising questions of morals and purpose – questions have no simple answer.
Coal Creek (2013)
Bobby Blue is caught between loyalty to his only friend, Ben Tobin, and his boss, Daniel Collins, the new Constable at Mount Hay. ‘Ben was not a big man but he was strong and quick as a snake. He had his own breed of pony that was just like him, stocky and reliable on their feet.’ Bobby understands the people and the ways of Mount Hay; Collins studies the country as an archaeologist might, bringing his coastal values to the hinterland. Bobby says, ‘I do not think Daniel would have understood Ben in a million years.’ Increasingly bewildered and goaded to action by his wife, Constable Collins takes up his shotgun and his Webley pistol to deal with Ben. Bobby’s love for Collins’ wilful young daughter Irie is exposed, leading to tragic consequences for them all.
The Tivington Nott (1989)
Based on the lives of real people in Somerset on the borders of Exmoor, Miller tells his own story of a young labourer swept up in the adventure of riding second horse in a west country stag hunt. Finding himself in a closed social system in which he has neither status nor power, the young man identifies with the aberrant Tivington nott stag, which despite its lack of antlers, has become a legend in the district for its ability to elude the hunt and to compete successsfully with the antlered stags.
The Sitters (1995)
An ageing portrait artist meets a woman who unsettles him, yet inspires him to paint her. Reluctantly, at first, they are drawn together. The ambiguity of the relationship between painter and subject is revealed through Alex Miller’s subtle, sensuous narrative. The artist must watch and wait to trap the shy beast. For the skill of portraiture is in seeing beyond the face, beyond the likeness.
Journey to the Stone Country (2002)
Betrayed by her husband, Annabelle Beck retreats from Melbourne to her old family home in tropical North Queensland where she meets Bo Rennie, one of the Jangga tribe. Intrigued by Bo’s claim that he holds the key to her future, Annabelle sets out with him on a path of recovery that leads back to her childhood and into the Jangga’s ancient heartland, where their grandparents’s lives begin to yield secrets that will challenge the possibility of their happiness together.
Prochownik’s Dream (2005)
Toni Powlett is an artist in the grip of a crisis. Since the death of his father, Moniek Prochownik, four years earlier, Toni has been at a creative standstill – until Marina Golding, the wife of his former teacher and mentor, Robert Schwartz, contacts him, and everything changes. Toni finds in Marina the perfect companion of his life in art and his creative energies are re-awakened. But Toni’s newfound inspiration and artistic energy come at the direct expense of his relationship with his wife and daughter. The more dependent for his art he becomes on Marina, the more potentially destructive become the tensions between himself and his wife, Teresa. Toni’s dilemma is how to reconcile the transgressive nature of his imaginative life with the daily life of his family, who he loves. Robert Schwartz’s dying father, Theo, warns him not to confuse art with life. But by what means is he to achieve such clear-sightedness?
Landscape of Farewell (2007)
It is the story of Max Otto, an elderly German academic. After the death of his much-loved wife and his recognition that he will never write the great study of history that was to be his life’s crowning work, Max believes his life is all but over. Everything changes, though, when his valedictory lecture is challenged by Professor Vita McLelland, a feisty young Australian Aboriginal academic visiting Germany. Their meeting and growing friendship sets Max on a journey that would have seemed unthinkable just a few short weeks earlier. When, at Vita’s invitation, Max travels to Australia, he forms a deep friendship with her uncle, Aboriginal elder Dougald Gnapun. It is a friendship that not only gives new meaning and purpose to Max, but which teaches him the profound importance of truth-telling in reconciliation with his own and his country’s past.
Autumn Laing (2011)
Autumn Laing seduces Pat Donlon with her lust for life and art. In doing so she not only compromises the trusting love she has with her husband, Arthur, she also steals the future from Pat’s young and beautiful wife, Edith, and their unborn child. Fifty-three years later, cantankerous, engaging, unrestrainable 85-year-old Autumn is shocked to find within herself a powerful need for redemption. As she tells her story, she writes, ‘They are all dead and I am old and skeleton-gaunt. This is where it began…’ Written with compassion and intelligence, this energetic, funny and wise novel peels back the layers of storytelling and asks what truth has to do with it. Autumn Laing is an unflinchingly intimate portrait of a woman and her time – she is unforgettable.
The Passage of Love
Sitting in a New York park, an old man holds a book and tries to accept that his contribution to the future is over. Instead, he remembers a youthful yearning for open horizons, for Australia, a yearning he now knows inspired his life as a writer. Instinctively he picks up his pen and starts at the beginning… At twenty-one years, Robert Crofts leaves his broken dreams in Far North Queensland, finally stopping in Melbourne almost destitute. It’s there he begins to understand how books and writing might be the saving of him. They will be how he leaves his mark on the world. He also begins to understand how many obstacles there will be to thwart his ambition.
When Robert is introduced to Lena Soren, beautiful, rich and educated, his life takes a very different path. But in the intimacy of their connection lies an unknowability that both torments and tantalises as Robert and Lena long for something that neither can provide for the other. In a rich blend of thoughtful and beautifully observed writing, the lives of a husband and wife are laid bare in their passionate struggle to engage with their individual creativity.
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